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The Art Institute's collection of Modern and contemporary art is one of the most comprehensive of any museum and includes two icons of 20th-century American art: Grant Wood's American Gothic and Edward Hopper's Nighthawks. The museum has a longstanding commitment to contemporary art, reflected in the 1913 decision to exhibit the Armory Show, the largest Modern, mostly European, art exhibition ever presented in America. The Art Intitute’s extensive galleries present examples of abstraction from the early years of the 20th century by Pablo Picasso, Henri Matisse, and Vasily Kandinsky to challenging contemporary works in a variety of media by artists such as Bruce Nauman, Cindy Sherman, and Katharina Fritsch. Contemporary art is exhibited by commercial contemporary art galleries, private collectors, corporations, publicly funded arts organizations, contemporary art museums or by artists themselves in artist-run spaces. Contemporary artists are supported by grants, awards and prizes as well as by direct sales of their work. There are close relationships between publicly funded contemporary art organisations and the commercial sector. For instance, in Britain a handful of dealers represent the artists featured in leading publicly funded contemporary art museums. Contemporary art can sometimes seem at odds with a public that does not feel that art and its institutions share its values.In Britain in the 1990s contemporary art became a part of popular culture, with artists becoming stars, but this did not lead to a hoped for "cultural utopia". Modern art Modern art is a general term used for most of the artistic work reckoned anywhere from the early 17th century until the present time. Modern art refers to the new approach to art which placed emphasis on representing emotions, themes, and various abstractions. Artists experimented with new ways of seeing, with fresh ideas about the nature of materials and functions of art, often moving further toward abstraction. The history of painting The history of painting reaches back in time to artifacts from pre-historic humans, and spans all cultures. The history of painting represents a continuous, though disrupted, tradition from Antiquity. Across cultures, and spanning continents and millennia, the history of painting is an ongoing river of creativity, that continues into the 21st century. All along, painting is taken to mean ‘representation’. But now it is no longer true. Instead it is about ‘inspiration.’ On the contrary, painting nowadays is too focused on the creation of the ‘new’ rather that the creation of the ‘true’. The 20th century was intensely inspired with new painting styles and materials which eventually led it to focus on the mode and medium of expression rather than the message that should be expressed. Even after one and a half centuries of innovation, with many art taboos shattered, with so much of the field colonized and long-inhabited, the search for the new is still becoming increasingly shallow and repetivite. Changing to the new just for the sake of newness, can result in academic significance but it offers minimal weight in the long term. On the other hand, longevity is brought about by truth and beauty which brings effect to the viewer and the resonance of that experience will remain for a long time. The combination of these three is necessary to create contemporary art, abstract or any other form of art which comes with impact as well as freshness
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